{"id":52,"date":"2007-03-12T20:20:30","date_gmt":"2007-03-12T19:20:30","guid":{"rendered":"https:\/\/www.cestanahoru.org\/?page_id=52"},"modified":"2007-03-12T20:20:30","modified_gmt":"2007-03-12T19:20:30","slug":"jak-meditovat-film","status":"publish","type":"page","link":"https:\/\/www.cestanahoru.org\/?page_id=52","title":{"rendered":"Jak meditovat film"},"content":{"rendered":"

Ignaci\u00e1nsk\u00e9 filmov\u00e9 exercicie<\/p>\n

– o\u010d b\u011b\u017e\u00ed –<\/p>\n

Na prvn\u00ed pohled kombinace \u201eexercicie a film\u201c m\u016f\u017ee n\u011bkoho iritovat, a to jak \u010dast\u00e9 n\u00e1v\u0161t\u011bvn\u00edky kin, tak zku\u0161en\u00e9 \u00fa\u010dastn\u00edky exercici\u00ed: film p\u0159eci jen b\u00fdv\u00e1 dosud (a p\u0159iznejme, \u017ee ne v\u017edy nepr\u00e1vem) pova\u017eov\u00e1n za lehk\u00fd, ba povrchn\u00ed um\u011bleck\u00fd \u017e\u00e1nr, zat\u00edmco exercicie jsou synonymem v\u00e1\u017en\u00fdch a p\u0159\u00edsn\u00fdch duchovn\u00edch cvi\u010den\u00ed.<\/p>\n

Pokud se na v\u011bc budeme d\u00edvat takto, nen\u00ed tedy jasn\u00e9, zda lze film integrovat do exerci\u010dn\u00edho procesu. Existuje v\u0161ak p\u0159eci jen n\u011bkolik zn\u00e1mek, kter\u00e9 se zdaj\u00ed mluvit ve prosp\u011bch filmu. Vyjd\u011bme z toho, k \u010demu se hod\u00ed exercicie.<\/p>\n

Mohou n\u00e1m poslou\u017eit, jestli\u017ee se t\u00e1\u017eeme po tom, co jsme dosud \u017eili; kdy\u017e chceme n\u011bjak nov\u011b orientovat n\u00e1s \u017eivot; kdy\u017e usilujeme o to, hloub\u011bji se pono\u0159it do tajemstv\u00ed evangelia; jestli\u017ee stoj\u00edme p\u0159ed d\u016fle\u017eit\u00fdm rozhodnut\u00edm a chceme, aby odpov\u00eddalo na\u0161emu k\u0159es\u0165ansk\u00e9mu p\u0159esv\u011bd\u010den\u00ed; jestli\u017ee se zcela v\u00e1\u017en\u011b pt\u00e1me, jak\u00e9 je na\u0161e povol\u00e1n\u00ed, kde je vlastn\u011b na\u0161e m\u00edsto ve sv\u011bt\u011b. V takov\u00fdch p\u0159\u00edpadech se exercicie velmi osv\u011bd\u010dily.<\/p>\n

B\u011bhem exercici\u00ed b\u00fdvaj\u00ed denn\u011b \u010dteny n\u011bkter\u00e9 biblick\u00e9 texty p\u0159\u00edpadn\u011b spole\u010dn\u011b slavena liturgie. P\u0159i \u010detb\u011b o Je\u017e\u00ed\u0161ov\u011b \u017eivot\u011b b\u00fdv\u00e1 \u201e\u010dten\u201c i vlastn\u00ed \u017eivot. Ign\u00e1cova exerci\u010dn\u00ed kn\u00ed\u017eka doporu\u010duje na t\u00e9to cest\u011b zachov\u00e1vat p\u0159\u00edsn\u00e9 ml\u010den\u00ed. Mluv\u00ed se pouze mezi exercitantem a doprov\u00e1zej\u00edc\u00edm, p\u0159i slaven\u00ed eucharistie a pokud k tomu doprov\u00e1zej\u00edc\u00ed p\u0159\u00edmo vyb\u00eddne.<\/p>\n

V\u0161echny tyto prvky jsou velmi d\u016fle\u017eit\u00e9 i ve filmov\u00fdch exercici\u00edch. Jejich specifikem ve srovn\u00e1n\u00ed s ostatn\u00edmi typy exercici\u00ed je, \u017ee slovn\u00ed impuls vedouc\u00edho kurzu je z v\u011bt\u0161\u00ed \u010d\u00e1sti nahrazen filmem.<\/p>\n

Vhodn\u00fd film z\u00e1kladn\u00ed dynamiku exercici\u00ed podpo\u0159\u00ed nebo dokonce p\u0159\u00edmo zes\u00edl\u00ed. N\u011bkdy se stane, \u017ee se na pl\u00e1tn\u011b setk\u00e1v\u00e1me se sc\u00e9nami jakoby z vlastn\u00edho \u017eivota, na kter\u00e9 jsme ov\u0161em u\u017e d\u00e1vno zapomn\u011bli. Jindy se film st\u00e1v\u00e1 p\u0159\u00edmo kl\u00ed\u010dem k dosud neprob\u00e1dan\u00fdm komnat\u00e1m na\u0161eho vlastn\u00edho nitra (na\u0161eho \u201evnit\u0159n\u00edho hradu\u201c, poznamenala by Terezie z Avily). Obrazy se mohou vr\u00fdt hluboko do du\u0161e, mohou b\u00fdt n\u011bkdy daleko \u00fa\u010dinn\u011bj\u0161\u00ed ne\u017e slovo. Obraz m\u016f\u017ee zap\u016fsobit i o\u010distn\u011b. To v\u0161echno tedy nazna\u010duje, \u017ee film m\u016f\u017ee b\u00fdt velmi vhodn\u00fdm prost\u0159edkem k dosa\u017een\u00ed c\u00edle exercici\u00ed, tedy pomoci v p\u0159erodu k nov\u00e9mu, pln\u011bj\u0161\u00edmu \u017eivotu.<\/p>\n

Abychom se v\u0161ak p\u0159esv\u011bd\u010dili, lze-li skute\u010dn\u011b propojit exercicie a film, a pochopili, o\u010d zde b\u011b\u017e\u00ed, je t\u0159eba, abychom si to sami vyzkou\u0161eli: nechat se v tich\u00e9 meditaci den po dni inspirovat filmem, kter\u00fd zachycuje n\u011bkter\u00e1 z on\u011bch z\u00e1kladn\u00edch nap\u011bt\u00ed lidsk\u00e9 existence kdesi mezi svobodou \u010dlov\u011bka a jeho ur\u010denost\u00ed vztahy \u010di prost\u0159ed\u00edm, mezi vzdorem a p\u0159ijet\u00edm skute\u010dnosti atd.<\/p>\n

Meditace nad filmem<\/p>\n

    \n
  1. P\u0159\u00edprava<\/span>
    \na)\tStanov\u00edm si, \u017ee nyn\u00ed budu ur\u010ditou dobu v\u011bnovat meditaci.
    \nb)\tZaujmu t\u011blesn\u00fd postoj, kter\u00fd mi pom\u016f\u017ee, abych se vnit\u0159n\u011b zti\u0161il. Nech\u00e1m za sebou v\u0161echen shon v\u0161edn\u00edho dne. Ni\u010d\u00edm se nezab\u00fdv\u00e1m, nepracuji, d\u00fdch\u00e1m klidn\u011b.
    \nc)\tKdy\u017e m\u00e1m pocit, \u017ee jsem se do jist\u00e9 m\u00edry zti\u0161il, pokus\u00edm se formulovat vlastn\u00edmi slovy asi takovouto p\u0159\u00edpravnou modlitbu: Bo\u017ee, tak jsi nekone\u010dn\u011b v\u011bt\u0161\u00ed a zcela jin\u00fd, p\u0159edstupuji p\u0159ed tebe zde p\u0159\u00edtomn\u00e9ho a p\u0159eji si, abys ve mn\u011b p\u016fsobil. Dop\u0159ej, abych se nast\u00e1vaj\u00edc\u00ed \u010das meditace mohl pro\u017e\u00edt tak dob\u0159e, jak je to jen mo\u017en\u00e9, abych v n\u011bm byl p\u0159\u00edtomen sv\u00fdm nitrem, city i my\u0161lenkami.
    \nd)\tM\u00e1m-li pocit, \u017ee jsem klidn\u00fd, za\u010dnu se v\u011bnovat filmu.<\/li>\n
  2. Proch\u00e1zet film <\/span>
    \nP\u0159ed sv\u00fdm vnit\u0159n\u00edm zrakem si p\u0159ehraji film, pokou\u0161\u00edm si ho vybavit co nejplasti\u010dt\u011bji: jednotliv\u00e9 osoby, d\u011bje, dialogy, m\u00edsta, n\u00e1lady, osv\u011btlen\u00ed apod.<\/li>\n
  3. Zastavit se u jedn\u00e9 \u010di n\u011bkolika sc\u00e9n, vno\u0159it se do nich<\/span>
    \nU jedn\u00e9 \u010di n\u011bkolika sc\u00e9n, kter\u00e9 m\u011b obzvl\u00e1\u0161t\u011b oslovily (a\u0165 u\u017e pozitivn\u011b nebo naopak) se zastav\u00edm. M\u016f\u017ee to b\u00fdt jen jedin\u00e9 slovo \u010di v\u011bta z filmu. Mohl jsem se naj\u00edt v ur\u010dit\u00e9 postav\u011b, m\u00edst\u011b, n\u00e1zoru. Setrv\u00e1m u on\u00e9 sc\u00e9ny tak dlouho, dokud m\u011b oslovuje. Jestli\u017ee ve mn\u011b n\u011bjak\u00e1 sc\u00e9na vyvolala bolest, radost, zlost nebo \u00fat\u011bchu, uv\u011bdom\u00edm si tyto pocity a dovol\u00edm s\u00e1m sob\u011b, abych je opravdu pro\u017eil. Pro\u017eiji je do hloubky a p\u0159edlo\u017e\u00edm je Bohu. Kdy\u017e jsem ur\u010ditou sc\u00e9nu \u201evychutnal\u201c, vyt\u011b\u017eil z n\u00ed, co bylo mo\u017en\u00e9, p\u0159esunu se k dal\u0161\u00ed sc\u00e9n\u011b atd.<\/li>\n
  4. Z\u00e1v\u011br meditace<\/span>
    \nNa z\u00e1v\u011br meditace oslov\u00edm Boha. Mluv\u00edm s n\u00edm jako spolu rozmlouvaj\u00ed dva p\u0159\u00e1tel\u00e9 o tom, co jsem b\u011bhem meditace pro\u017eil. Pak opust\u00edm medita\u010dn\u00ed postoj, poklon\u00edm se.<\/li>\n
  5. Ohl\u00e9dnut\u00ed<\/span>
    \nP\u0159ehl\u00e9dnu zp\u011btn\u011b \u010das str\u00e1ven\u00fd meditac\u00ed a p\u0159em\u00edt\u00e1m, co se b\u011bhem n\u011bj odehr\u00e1lo. C\u00edt\u00edm-li pot\u0159ebu vyj\u00e1d\u0159it n\u011bco z obsahu meditace p\u00edsemn\u011b, u\u010din\u00edm to.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

    Ignaci\u00e1nsk\u00e9 filmov\u00e9 exercicie – o\u010d b\u011b\u017e\u00ed – Na prvn\u00ed pohled kombinace \u201eexercicie a film\u201c m\u016f\u017ee n\u011bkoho iritovat, a to jak \u010dast\u00e9 n\u00e1v\u0161t\u011bvn\u00edky kin, tak zku\u0161en\u00e9 \u00fa\u010dastn\u00edky exercici\u00ed: film p\u0159eci jen b\u00fdv\u00e1 dosud (a p\u0159iznejme, \u017ee ne v\u017edy nepr\u00e1vem) pova\u017eov\u00e1n za lehk\u00fd, ba povrchn\u00ed um\u011bleck\u00fd \u017e\u00e1nr, zat\u00edmco exercicie jsou synonymem v\u00e1\u017en\u00fdch a p\u0159\u00edsn\u00fdch duchovn\u00edch cvi\u010den\u00ed. Pokud […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":35,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/pages\/52"}],"collection":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=52"}],"version-history":[{"count":0,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/pages\/52\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/pages\/35"}],"wp:attachment":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=52"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}