{"id":639,"date":"2008-02-07T11:09:11","date_gmt":"2008-02-07T10:09:11","guid":{"rendered":"https:\/\/www.cestanahoru.org\/?p=639"},"modified":"2012-10-20T20:19:11","modified_gmt":"2012-10-20T18:19:11","slug":"promitani-u-kamen","status":"publish","type":"post","link":"https:\/\/www.cestanahoru.org\/?p=639","title":{"rendered":"Prom\u00edt\u00e1n\u00ed u kamen"},"content":{"rendered":"<p>D\u016fm Komunity Noe Holost\u0159evy, 8. \u2013 10. \u00fanora 2008<br \/>\nDobr\u00e9 filmy, dob\u0159\u00ed lid\u00e9, sva\u0159\u00e1k a teplo od kamen\u2026.<br \/>\nFilmov\u00e1 hostina.<br \/>\n<!--more--><\/p>\n<p>V nab\u00eddce mimo jin\u00e9 bude:<br \/>\n<strong><br \/>\nV\u0161echna jitra sv\u011bta <\/strong>(Alain Corneau) &#8211; Bolest nad p\u0159ed\u010dasnou smrt\u00ed man\u017eelky p\u0159iv\u00e1d\u00ed violistu Sainte Colombea k tomu, \u017ee se zcela izoluje od spole\u010dnosti. \u017dije odlou\u010den\u011b se sv\u00fdmi dv\u011bma dcerami a v bolestn\u00e9 samot\u011b piluje svou hru. Film je mistrovsky inscenovan\u00fdm portr\u00e9tem francouzsk\u00e9ho barokn\u00edho hudebn\u00edka ze 17. stolet\u00ed.<\/p>\n<p><strong>\u017divot je z\u00e1zrak <\/strong>(Emir Kusturica) Luka, srbsk\u00fd in\u017een\u00fdr z B\u011blehradu, se usad\u00ed ve vesnici na konci sv\u011bta se svoj\u00ed \u017eenou Jadrankou,opern\u00ed p\u011bvkyn\u00ed, a se synem Milosem. Luka p\u0159ipravuje stavbu \u017eeleznice, kter\u00e1 p\u0159em\u011bn\u00ed tento zapomenut\u00fd kraj v turistick\u00fd r\u00e1j. Hluboce pono\u0159en do pr\u00e1ce a zaslepen p\u0159irozen\u00fdm optimismem, Luka jako by ani nevn\u00edmal st\u00e1l\u00e9 h\u0159m\u011bn\u00ed bl\u00ed\u017e\u00edc\u00ed se v\u00e1lky. Kdy\u017e boje vypuknou, Luk\u016fv \u017eivot je vzh\u016fru nohama. Jeho \u017eena Jadranka se mu ztrat\u00ed v objet\u00ed jednoho muzikanta, zat\u00edmco jeho syn je povol\u00e1n na frontu. Luka s neutuchaj\u00edc\u00edm optimismem \u010dek\u00e1 na svou rodinu, aby mohli odjet, ale Jadranka se nevrac\u00ed a Milos se st\u00e1v\u00e1 zajatcem. A pak potk\u00e1 Sabahu \u017divot je z\u00e1zrak je oslavou radosti ze \u017eivota, l\u00e1sky a humanity.<\/p>\n<p><strong>Morgiana<\/strong> (Juraj Herz) &#8211; Kr\u00e1sn\u00e1 a neskonale laskav\u00e1 d\u00edvka dlouho netu\u0161\u00ed, \u017ee jej\u00ed sestra, kter\u00e1 j\u00ed z\u00e1vid\u00ed t\u011blesn\u00fd p\u016fvab, pravideln\u011b chyst\u00e1 pomalu a nen\u00e1padn\u011b funguj\u00edc\u00ed jed. Studie a\u017e v\u00fdst\u0159edn\u011b patologick\u00fdch vnitrorodinn\u00fdch vztah\u016f. V\u00fdte\u010dn\u00e1 hereck\u00e1 pr\u00e1ce Ivy Jan\u017eurov\u00e9, kter\u00e1 ztv\u00e1rnila ob\u011b hlavn\u00ed role, se tak trochu ocit\u00e1 ve st\u00ednu obrazov\u00e9 extravagance.<\/p>\n<p>Den sedm\u00fd, osm\u00e1 noc (Evald Schorm) &#8211; Nad\u010dasov\u00e1 studie o lidsk\u00e9 povaze, o povaze &#8222;mal\u00fdch \u010desk\u00fdch lid\u00ed&#8220; je tragickou fra\u0161kou, nabitou symboly, op\u00edraj\u00edc\u00ed se o biblick\u00e1 podobenstv\u00ed, absurdn\u00ed drama a kafkovsk\u00e9 vid\u011bn\u00ed sv\u011bta. Filmov\u00e1 metafora o tom, co dok\u00e1\u017ee panika strachu a \u00fazkosti, kdy\u017e se zmocn\u00ed lid\u00ed ve vesnici, kde se v\u0161ichni znaj\u00ed&#8230; V pestr\u00e9 mozaice epizod, sm\u011b\u0159uj\u00edc\u00edch od komi\u010dnosti k trag\u00e9dii, se p\u0159edstavuje mno\u017estv\u00ed postav, zastupuj\u00edc\u00edch r\u016fznorod\u00e9 spektrum n\u00e1roda.<\/p>\n<p><strong>Strom na d\u0159ev\u00e1ky<\/strong> (Ermanno Olmi) &#8211; Strom na d\u0159ev\u00e1ky (1978) je t\u0159\u00edhodinov\u00e1 kronika, v n\u00ed\u017e Ermanno Olmi (1931) v roli autora n\u00e1m\u011btu, sc\u00e9n\u00e1risty, st\u0159iha\u010de, kameramana a re\u017eis\u00e9ra skl\u00e1d\u00e1 z nejnepatrn\u011bj\u0161\u00edch \u00falomk\u016f v\u0161edn\u00edho \u017eivota \u010dlen\u016f \u010dty\u0159 venkovsk\u00fdch rodin mozaiku mytologizuj\u00edc\u00ed epochu, kter\u00e1 nen\u00e1vratn\u011b zmizela pr\u00e1v\u011b tak, jako principy ur\u010duj\u00edc\u00ed \u017eivoty jejich p\u0159\u00edslu\u0161n\u00edk\u016f.<\/p>\n<p><strong>Spl\u00e1chnutej <\/strong>(Sam Fell, David Bowers) &#8211; Kdy\u017e Shrek potkal Wallace s Gromitem, respektive kdy\u017e spojila sv\u00e9 s\u00edly slavn\u00e1 anima\u010dn\u00ed studia &#8211; DreamWorks a Aardman, vznikla sv\u011b\u017e\u00ed animovan\u00e1 komedie Spl\u00e1chnutej, stoj\u00edc\u00ed na precizn\u00ed americk\u00e9 po\u010d\u00edta\u010dov\u00e9 animaci a okouzluj\u00edc\u00edm britsk\u00e9m humoru, kter\u00fd je opravdu pro ka\u017ed\u00e9ho. \u0160ance pro p\u0159\u00edtomn\u00e9 dosp\u011bl\u00e9 i nedosp\u011bl\u00e9 d\u011bti.<\/p>\n<p>\u2026a kr\u00e1tk\u00e9 animovan\u00e9 filmy z festivalu Anifest<\/p>\n<p>Za\u010d\u00edn\u00e1me v p\u00e1tek ve 20.30, kon\u010d\u00edme v ned\u011bli po ob\u011bd\u011b.<\/p>\n<p>Spojen\u00ed:<br \/>\nVlak: Plze\u0148 \u2013 Svoj\u0161\u00edn, pak lok\u00e1lka Holost\u0159evy<br \/>\nBus: Plze\u0148 \u2013 Tachov, vystoupit Holost\u0159evy<br \/>\nAuto: D\u00e1lnice Plze\u0148 \u2013 Rozvadov, exit Bene\u0161ovice, pak 2 km do Holost\u0159ev<br \/>\nS sebou: Karimatku a spac\u00e1k, ba\u010dk\u016frky, vlastn\u00ed sn\u00eddan\u011b a ve\u010de\u0159e.<br \/>\nP\u0159\u00edsp\u011bvek na ob\u011bdy, na sva\u0159\u00e1k, na technick\u00e9 a person\u00e1ln\u00ed zaji\u0161t\u011bn\u00ed: studenti 100,-, vyd\u011bl\u00e1vaj\u00edc\u00ed 200,-K\u010d.<\/p>\n<p>T\u011b\u0161\u00edme se. Komunita Noe. (www.komunitanoe.cz)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>D\u016fm Komunity Noe Holost\u0159evy, 8. \u2013 10. \u00fanora 2008 Dobr\u00e9 filmy, dob\u0159\u00ed lid\u00e9, sva\u0159\u00e1k a teplo od kamen\u2026. Filmov\u00e1 hostina.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/posts\/639"}],"collection":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=639"}],"version-history":[{"count":1,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/posts\/639\/revisions"}],"predecessor-version":[{"id":4831,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/posts\/639\/revisions\/4831"}],"wp:attachment":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}