{"id":766,"date":"2008-04-24T16:52:53","date_gmt":"2008-04-24T15:52:53","guid":{"rendered":"https:\/\/www.cestanahoru.org\/?p=766"},"modified":"2012-10-13T17:50:44","modified_gmt":"2012-10-13T15:50:44","slug":"zelenkovi-karamazovi","status":"publish","type":"post","link":"https:\/\/www.cestanahoru.org\/?p=766","title":{"rendered":"Zelenkovi Karamazovi"},"content":{"rendered":"

“ V\u0161ichni jsme Karamazovi“<\/em><\/strong><\/p>\n

F. M. Dostojevskij, Evald Schorm, Luk\u00e1\u0161 Hlavica<\/p>\n

\n

Sc\u00e9n\u00e1\u0159, re\u017eie: Petr Zelenka<\/p>\n

Kamera: Alexander \u0160urkala<\/p>\n

St\u0159ih: Vladim\u00edr Bar\u00e1k<\/p>\n

Hudba: Jan A. P. Kaczmarek<\/p>\n<\/blockquote>\n

Premi\u00e9ra 24. 4. 2008 ( www.karamazovi.cz<\/a> )<\/p>\n

Na po\u010d\u00e1tku byla touha. Petr Zelenka p\u0159i\u0161el s n\u00e1padem uchovat inscenaci Bratr\u016f Karamazov\u00fdch v re\u017eii Luk\u00e1\u0161e Hlavici, kterou Dejvick\u00e9 divadlo \u00fasp\u011b\u0161n\u011b uv\u00e1d\u00ed u\u017e osm\u00fdm rokem (v dramatizaci Evalda Schorma, autora jin\u00e9 slavn\u00e9 inscenace Bratr\u016f Karamazov\u00fdch Divadla na z\u00e1bradl\u00ed). Realizace podobn\u00e9ho „projektu“ vypadala \u0161\u00edlen\u011b, cesta k uskute\u010dn\u011bn\u00ed nebyla v\u016fbec snadn\u00e1. (Je\u0161t\u011b dva t\u00fddny p\u0159ed za\u010d\u00e1tkem nat\u00e1\u010den\u00ed se zd\u00e1lo, \u017ee ve\u0161ker\u00e9 p\u0159\u00edpravy tot\u00e1ln\u011b ztroskotaj\u00ed.) Na konci je v\u0161ak film, jen\u017e se zcela vymyk\u00e1 v\u011bt\u0161inov\u00e9, (nejen) \u010desk\u00e9 produkci. Film, v n\u011bm\u017e se za pomoci Dostojevsk\u00e9ho \u0159e\u0161\u00ed z\u00e1kladn\u00ed ot\u00e1zky ka\u017ed\u00e9ho p\u0159em\u00fd\u0161liv\u00e9ho \u010dlov\u011bka. Film, kter\u00fd nepovrchn\u011b c\u00edl\u00ed na tukem obrostl\u00e1 lidsk\u00e1 nitra.<\/p>\n

<\/p>\n

Skupina herc\u016f („n\u00e1hodn\u011b“ nesouc\u00ed jm\u00e9na sv\u00fdch p\u0159edstavitel\u016f) jede na (fiktivn\u00ed) divadeln\u00ed festival do Polska, jen\u017e se odehr\u00e1v\u00e1 ve sl\u00e9v\u00e1rn\u00e1ch krakovsk\u00e9 „Nov\u00e9 huti“ (ve skute\u010dnosti v ocel\u00e1rn\u011b v Hr\u00e1dku u Rokycan). Zde v horouc\u00edm „pekle“, s h\u00e1ky<\/em> star\u00e9ho Karamazova (st\u011b\u017eejn\u00edm motivem nejen filmov\u00e9ho plak\u00e1tu) za\u010d\u00ednaj\u00ed zkou\u0161et, aby si „ohmatali prostor“ p\u0159ed p\u0159edstaven\u00edm, je\u017e by se m\u011blo druh\u00fd den konat. Je\u0161itn\u00ed herci, (v \u010dele s charismatick\u00fdm Ivanem Trojanem), kte\u0159\u00ed si s sebou p\u0159ivezli vlastn\u00ed starosti a tr\u00e1pen\u00ed, se s postupn\u00fdm obl\u00e9k\u00e1n\u00edm kost\u00fdm\u016f pozvolna p\u0159evt\u011bluj\u00ed do sv\u00fdch rol\u00ed. Za\u010d\u00ednaj\u00ed hr\u00e1t Bratry Karamazovy. – A jeden z polsk\u00fdch d\u011bln\u00edk\u016f se na n\u011b fascinovan\u011b d\u00edv\u00e1… \u00dadr\u017eb\u00e1\u0159 – zoufal\u00fd otec, jemu\u017e pr\u00e1v\u011b v nemocnici um\u00edr\u00e1 syn na n\u00e1sledky hr\u016fzn\u00e9ho p\u00e1du. Skute\u010dnost se prol\u00edn\u00e1 s fikc\u00ed. Fikce se st\u00e1v\u00e1 skute\u010dnost\u00ed. A herci opou\u0161t\u011bj\u00ed sv\u00e9 starosti, je\u017e se ve st\u0159etu s opravdovou trag\u00e9di\u00ed zdaj\u00ed tak malichern\u00e9. U\u017e nehraj\u00ed<\/strong><\/em> Bratry Karamazovy, u\u017e jimi jsou<\/strong><\/em>… A my spole\u010dn\u011b s nimi, v\u017edy\u0165, jak ud\u00e1v\u00e1 hlavn\u00ed motto filmu: „V\u0161ichni jsme Karamazovi.<\/em><\/strong>„<\/p>\n

Petr Zelenka doplnil Schormovu dramatizaci o pas\u00e1\u017ee s kapit\u00e1nem Sn\u011bgirovem, jen\u017e stejn\u011b jako polsk\u00fd \u00fadr\u017eb\u00e1\u0159 truchl\u00ed pro ztr\u00e1tu syna. Bolest zoufal\u00e9ho otce m\u00e1 tak v inscenaci sv\u016fj obraz. (Pas\u00e1\u017ee se Sn\u011bgirovem jsou z dramatizace J. A. Pit\u00ednsk\u00e9ho a Petera Scherhaufera, napsan\u00e9 pro Scherhauferovy Karamazovce Divadla Na prov\u00e1zku a nov\u011b pou\u017eit\u00e9 Vladim\u00edrem Mor\u00e1vkem tamt\u00e9\u017e.)<\/p>\n

Zelenkov\u00fdm z\u00e1m\u011brem bylo nast\u00ednit ot\u00e1zku, zda „m\u00e1 intelektu\u00e1l odpov\u011bdnost za my\u0161lenky, kter\u00e9 hl\u00e1s\u00e1 a to ve spole\u010dnosti, kter\u00e1 ztratila v\u00edru v Boha a t\u00edm i z\u00e1kladn\u00ed mor\u00e1ln\u00ed instinkty“. <\/em>Jeho pozornost tak byla soust\u0159ed\u011bna na postavu Ivana. A p\u0159edstavitel Ivana Igor Chmela sv\u00e9ho prostoru skv\u011ble vyu\u017eil. Jeho Ivan Karamazov je na prvn\u00ed pohled do sebe pono\u0159en\u00fd introvert. Za smutn\u00fdm, t\u00e9m\u011b\u0159 nehybn\u00fdm obli\u010dejem, za vn\u011bj\u0161\u00edm chladem a nep\u0159\u00edstupnost\u00ed v\u0161ak ukr\u00fdv\u00e1 potla\u010dovanou v\u00e1\u0161e\u0148, kter\u00e1 ve chv\u00edl\u00edch nervov\u00e9ho vyp\u011bt\u00ed nezvladateln\u011b propuk\u00e1. \u0160\u00edlen\u011b miluje Kate\u0159inu, \u0161\u00edlen\u011b nen\u00e1vid\u00ed otce, \u0161\u00edlen\u011b s\u00e1m sebe mu\u010d\u00ed. Vrcholem je jeho zpov\u011b\u010f, <\/em>v n\u00ed\u017e Aljo\u0161ovi vypr\u00e1v\u00ed o utrpen\u00ed d\u011bt\u00ed, kv\u016fli n\u011bmu\u017e „vrac\u00ed Bohu vstupenku“. <\/em>Ivan zde m\u00e1 jednozna\u010dn\u011b navrch. Klade sv\u00e9 nekompromisn\u00ed PRO\u010c a neboh\u00fd Aljo\u0161a (Martin My\u0161i\u010dka) jen ml\u010dky up\u00edn\u00e1 na Ivana o\u010di pln\u00e9 bolesti. Na utrpen\u00ed nen\u00ed argument. V t\u00e9to sc\u00e9n\u011b se asi nejsugestivn\u011bji uplatnila pr\u00e1ce s kamerou. Z\u00e1b\u011br se postupn\u011b p\u0159ibli\u017euje, a\u017e z Ivana – Igora vid\u00edme jen o\u010di, pokr\u00fdvaj\u00edc\u00ed cel\u00e9 pl\u00e1tno. O\u010di, ze kter\u00fdch skryt\u00e9 utrpen\u00ed p\u0159\u00edmo \u010di\u0161\u00ed. O\u010di pln\u00e9 nejhlub\u0161\u00edho smutku…<\/p>\n

Nebyl by to v\u0161ak Petr Zelenka, kdyby film m\u00edsty neodleh\u010dil. Jako vtipn\u00e9 intermezzo, je\u017e v\u016fbec nep\u016fsob\u00ed nepat\u0159i\u010dn\u011b, funguje sc\u00e9na s Dostojevsk\u00fdm jako modr\u00fdm mon\u010di\u010d\u00e1kem, kter\u00fd si um\u011ble vyvol\u00e1 epilepsii, aby nastartoval<\/em> um\u011bleckou inspiraci. A star\u00fd Karamazov (Ivan Trojan) m\u00edsto ikony poplive obr\u00e1zek s b\u00fdval\u00fdm pape\u017eem. Nen\u00ed to \u017e\u00e1dn\u00e9 prvopl\u00e1nov\u00e9 \u0161okuj\u00edc\u00ed gesto, nebo\u0165 se s n\u00edm d\u00e1le pracuje, ale trochu zeslabuje smysl. (Plivne-li pravoslavn\u00fd Rus na \u0159\u00edmsk\u00e9ho pape\u017ee, znamen\u00e1 to docela n\u011bco jin\u00e9ho, ne\u017e kdy\u017e plivnut\u00edm znesv\u011bt\u00ed <\/em>ikonu.)<\/p>\n

Konec „inscenace“, parafr\u00e1zi Posledn\u00ed ve\u010de\u0159e, si Petr Zelenka vyp\u016fj\u010dil od Vladim\u00edra Mor\u00e1vka (Brat\u0159i Karamazovi: Vzk\u0159\u00ed\u0161en\u00ed, Divadlo Husa na prov\u00e1zku, Brno). Herci s p\u0159ihl\u00ed\u017eej\u00edc\u00edmi „poj\u00eddaj\u00ed placky“, \u00fa\u010dastn\u00ed se tak vlastn\u00edho pojet\u00ed eucharistie, ale o\u010di\u0161t\u011bn\u00ed, sm\u00edr, vzk\u0159\u00ed\u0161en\u00ed se tak jako u Mor\u00e1vka nekon\u00e1. V z\u00e1v\u011bru filmu se stane je\u0161t\u011b jedna o\u010dek\u00e1van\u00e1 trag\u00e9die. V\u0161udyp\u0159\u00edtomn\u00e9 peklo tak do sv\u00fdch \u00fatrob st\u00e1hlo h\u00e1kem<\/em> novou ob\u011b\u0165…<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

“ V\u0161ichni jsme Karamazovi“ F. M. Dostojevskij, Evald Schorm, Luk\u00e1\u0161 Hlavica Sc\u00e9n\u00e1\u0159, re\u017eie: Petr Zelenka Kamera: Alexander \u0160urkala St\u0159ih: Vladim\u00edr Bar\u00e1k Hudba: Jan A. P. Kaczmarek Premi\u00e9ra 24. 4. 2008 ( www.karamazovi.cz ) Na po\u010d\u00e1tku byla touha. Petr Zelenka p\u0159i\u0161el s n\u00e1padem uchovat inscenaci Bratr\u016f Karamazov\u00fdch v re\u017eii Luk\u00e1\u0161e Hlavici, kterou Dejvick\u00e9 divadlo \u00fasp\u011b\u0161n\u011b uv\u00e1d\u00ed […]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/posts\/766"}],"collection":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=766"}],"version-history":[{"count":1,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/posts\/766\/revisions"}],"predecessor-version":[{"id":4672,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=\/wp\/v2\/posts\/766\/revisions\/4672"}],"wp:attachment":[{"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cestanahoru.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}